Here (But Not Here)

by Max Richardson

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about

Here (But Not Here) is a fixed-media sound artwork originally commissioned by Chester Bandstand's arts programme, kindly funded by Cheshire West and Chester Council.

The work is created from voice recordings of people discussing their experiences of the COVID-19 pandemic. The work was released on March 18th 2022 in order to mark two years since the introduction of COVID-19 related measures in the UK.

Here (But Not Here) aims to encapsulate the anxiety and frustration of the past two years, while also focusing on the positives to have come out of the pandemic. Themes span from topics such as unemployment and mental health through to the more optimistic themes of family and newfound strength.

While predominantly focused on the perspective of events from the UK, the work includes participants from across the globe, all sharing their unique story of how they've been impacted by the COVID-19 pandemic.

credits

released March 18, 2022

Firstly, thanks so much to everyone who took part in this work by sending a voice recording - I'm truly, truly grateful for all of your help, and hope I've been able to do your stories justice.

Special thanks to Luke Moore, the Chester Bandstand arts programme, and Cheshire West and Chester Council for the initial commission for the work - it's been an absolute honour to work on this project.

Further thanks to the offices of 10 Downing Street for providing sample clearance in the work, and to the AE Modular community for allowing me to shamelessly self-promote the work, and their incredible response. Finally, thanks to all those who've supported the work through other means - you know who you are.

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all rights reserved

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about

Max Richardson Liverpool, UK

Max Richardson is a freelance composer and producer based in Merseyside. His works are diverse, spanning from classical compositions to avant-garde electronica. Max’s works have previously been performed by members of the RLPO, alongside garnering national airplay on BBC Radio 6 Music. ... more

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